I’ve been reading Booth’s Cooper and Fry series in order, and I’m therefore not sure how well the stories work as stand alone books. While each covers an individual police investigation spanning from the committing of a crime through to its resolution, the ongoing relationships of recurring characters progress from book to book, and therefore familiarity with their interaction and experience in previous stories is probably needed for a more complete appreciation of the subsequent books.
Near the beginning of One Last Breath, Mansell Quinn is released from Sudbury minimum security prison after completing his “life” sentence for a vicious and bloody murder, but instead of heading to the designated post-release hostel in Burton-on-Trent, he chooses to head back to his former home town, leading police to fear for the safety of his surviving family and former friends.
Regardless of the story itself, Stephen Booth’s fifth Cooper and Fry book got my attention very quickly with references to places familiar from my childhood, including two mentioned in the previous paragraph.
Firstly, I was born in Burton and was quite familiar with the town during the 60s and early 70s. It’s where my family did a lot of our shopping, and its Victorian era swimming “baths” was where I learned to swim and where I spent many Saturday mornings.
Secondly, while I never personally saw the Sudbury prison, my dad’s cricket team played there once or twice a year against a prison team. For obvious reasons, the prison team was the only one not to play away games, and it was the only time that families weren’t allowed to accompany my dad’s team to a match.
Thirdly, one of the characters recalls the petrifying wells of Matlock Bath; another note of personal familiarity. These wells fascinated and scared me. In reality everyday objects were left in limestone rich waters, and over time the accumulation of limestone upon the objects would give them the appearance of turning to stone. In my childish naiveté I had the fear that if I accidently touched the water I’d be immediately changed to stone.
While those familiar references make these books personally appealing, they are only an added pleasure, supplementing the intrigue, mystery and unpredictability of each story.
Booth likes to include local geography, history and folklore into his stories. This book has references to caving, centred on cave systems around Castleton. Reading it brought back memories of the claustrophobic feelings I’d experienced in other books where characters had to make their way through dark, narrow underground passages or mine shafts*. One Last Breath gives an added sense of danger to that claustrophobia by weaving within the story the real life account of Neil Moss, a young man who became trapped while exploring a new shaft within the Peak Cavern system. He died and his body couldn’t be recovered.**
Throughout the Cooper and Fry books, the complications of family and family histories regularly feature; such as Dianne Fry’s search for the sister who disappeared when she was a child, and Ben Cooper having to live up to the legacy of his father, a respected policeman killed while on duty.
This book expands the issue of family ghosts, and how the deeds of one generation can effect those of another.
Within this book, Booth manages to bring all of those elements together in its conclusion. And like the books before it nothing is predictable.
* By Alan Garner, either The Weirdstone of Brisingamen or The Moon of Gomrath – which one I don’t recall, where children have to escape through a narrow tunnel system under the Cheshire landscape.
And Mark Chadbourn’s Underground, based in the coalmines around the Leicestershire/Derbyshire border.